Ultra Wide
13mm
ƒ/2.2
48MP · 120° · Macro
iPhone Camera Settings Guide
The settings to dial in first. Open Settings → Camera and match these
Formats
Composition
Main Camera
Camera Control
Detail from the 48MP sensor with clean low-light files. Switch to 48MP in the viewfinder for landscapes and prints.
HEVC is required for 4K 60 and 120fps, 1080p 240fps slo-mo, and Dolby Vision HDR video. Most Compatible (H.264 and JPEG) drops all of them.
Set in the viewfinder under Pro controls. Auto moves between ƒ/1.48 and ƒ/4.0; lock ƒ/1.8 for portraits or ƒ/4.0 for groups.
Lens, aperture, and format for six common shooting scenarios on iPhone 18 Pro
Resolution, frame rate, and codec options on the iPhone 18 Pro
4K
24fps
Cinematic look
4K
30fps
Best all-round
4K
60fps
Smooth motion
4K
120fps
Slow motion
1080p
240fps
Extreme slow-mo
4K
Time-lapse
Dolby Vision HDR
| Use Case | Resolution | FPS | Codec | Format |
|---|---|---|---|---|
| Social Media Best | 4K | 30 | HEVC | Dolby Vision HDR |
| Film / Cinematic | 4K | 24 | ProRes | Apple Log 2 |
| RAW Grade | 4K | 24 or 30 | ProRes RAW | External SSD |
| Vlogging (Front) | 4K | 30 | HEVC | Dolby Vision HDR |
| Slow Motion B-Roll | 4K | 120 | HEVC or ProRes | Dolby Vision |
| Cinematic Mode | 4K | 60 | HEVC | Dolby Vision HDR |
| Time-lapse | 4K | Auto | HEVC | Dolby Vision HDR |
| Spatial Video | 1080p | 30 | MV-HEVC | Spatial (Apple Vision Pro) |
Three 48MP Fusion cameras covering 13mm to 100mm (8× 200mm crop). The main camera adds a four-stop variable aperture
13mm
ƒ/2.2
48MP · 120° · Macro
24mm
ƒ/1.48 – ƒ/4.0
48MP · Variable aperture · Sensor-shift OIS
48mm
ƒ/1.48 – ƒ/4.0
12MP · Crop from Fusion sensor
100mm
ƒ/2.8
48MP · Tetraprism · 8× 200mm crop
| Spec | Ultra Wide | Main (Fusion) | 4× Telephoto |
|---|---|---|---|
| Resolution | 48MP | 48MP | 48MP |
| Focal Length | 13mm | 24mm | 100mm |
| Aperture | ƒ/2.2 | ƒ/1.48, ƒ/1.8, ƒ/2.8, ƒ/4.0 | ƒ/2.8 |
| Optical-quality Crop | None | 2× 48mm (12MP) | 8× 200mm (12MP) |
| Stabilization | None | Sensor-shift OIS (2nd gen) | 3D sensor-shift OIS |
| Autofocus | Hybrid Focus Pixels | 100% Focus Pixels | Hybrid Focus Pixels |
| Photo Output | 24MP or 48MP | 24MP or 48MP | 24MP or 48MP |
| Macro | Yes (48MP) | No | No |
What sets the iPhone 18 Pro apart from the 17 Pro
Four stops on the 48MP Fusion Main, ƒ/1.48 to ƒ/4.0, chosen automatically or set by hand. Optical depth of field control on iPhone for the first time.
New in 18 ProAperture, shutter speed, white balance, and a live histogram in the Camera app, for photo and video. Aperture is main camera only; the rest also work on the front camera.
New in 18 ProOpt-in Reference mode signs the main sensor's data so Photos can show an unalterable reference next to the edit. Proof of what the camera saw.
New in 18 ProTime-lapse now records 4K Dolby Vision HDR with stabilization, and Cinematic mode effects apply after capture to clips shot at up to 60fps.
New in 18 ProHow much you can fit on your iPhone 18 Pro (256GB / 512GB / 1TB / 2TB)
256 GB
~6 GB/min at 4K30 ProRes
512 GB
Comfortable for a day of clips
1 TB
Best value for pro video
2 TB
New tier on the 6.3" Pro
External SSD
Required for ProRes 4K 60/120
| File Type | Format | Approximate Size |
|---|---|---|
| Photo (HEIF) | 24MP default | 1.5 – 3 MB |
| Photo (HEIF) | 48MP | 5 – 10 MB |
| Photo (ProRAW Max) | 48MP DNG | ~75 MB |
| Photo (ProRAW) | 12MP DNG | ~25 MB |
| Front Camera Photo | 18MP HEIF | 2 – 3 MB |
| Video (HEVC 4K30) | Dolby Vision | ~190 MB/min |
| Video (HEVC 4K60) | Dolby Vision | ~440 MB/min |
| Video (ProRes 4K30) | ProRes 422 HQ | ~6 GB/min |
| Spatial Video | MV-HEVC 1080p30 | ~130 MB/min |
iPhone 18 Pro-specific advice for getting the most from your camera
What changed for cameras between generations
Variable aperture, Pro controls, Apple Reference Image, 4K 120fps, and ProRes RAW.
In the Camera app, open Pro controls and tap Aperture to choose ƒ/1.48, ƒ/1.8, ƒ/2.8, or ƒ/4.0 on the 24mm Fusion Main. Leave it on Auto and the camera picks the aperture from light level and scene depth.
Four: ƒ/1.48, ƒ/1.8, ƒ/2.8, and ƒ/4.0, set by six laser-cut blades on the 48MP Fusion Main. The 13mm Ultra Wide stays fixed at ƒ/2.2 and the 100mm telephoto at ƒ/2.8.
ƒ/1.48 for night and indoor light, ƒ/1.8 for a single-person portrait, ƒ/2.8 for everyday scenes, and ƒ/4.0 to keep a group or landscape sharp front to back. Auto covers most shots.
Yes. Pro controls in the Camera app add shutter speed, white balance, and a live histogram alongside aperture, for photo and video, with no third-party app. Slow shutter speeds add motion blur, so brace the phone or use a tripod.
Yes. Both use the 48MP 4x tetraprism at 100mm ƒ/2.8 with a 12MP optical-quality 8x crop at 200mm. The 18 Pro camera upgrades are on the main camera and in the Camera app.
Yes. 4K 120fps Dolby Vision records on the Fusion Main in HEVC, and ProRes 4K 120fps records to an external USB-C drive. Slo-mo also runs 1080p at 240fps.
An opt-in Reference mode on the Fusion Main that signs the sensor data so Photos can show an unalterable reference image next to your edited photo. Not available at launch in China; in the EU, capture is not available at launch.
None. Both have the 48MP variable-aperture Fusion Main, 48MP Ultra Wide, 48MP 4x telephoto, and 18MP Center Stage front camera. The Pro Max is the 6.9-inch body rated for up to 45 hours of video playback; the Pro is 6.3 inches at up to 36 hours.
Yes. ProRes RAW, Apple Log 2, and Genlock carry over from the 17 Pro, with ProRes up to 4K 120fps to external storage. New for video are Cinematic mode at 4K 60fps with effects applied after capture, and 4K Dolby Vision time-lapse.