Ultra Wide
13mm
ƒ/2.2
48MP · Autofocus · Macro
iPhone Camera Settings Guide
Three cameras, seven focal lengths — the 16 Pro Max's triple-lens system covers 13mm to 120mm
13mm
ƒ/2.2
48MP · Autofocus · Macro
24mm
ƒ/1.78
48MP · Sensor-shift OIS · Quad-pixel
48mm
ƒ/1.78
12MP · Crop from Fusion sensor
120mm
ƒ/2.8
12MP · Tetraprism · 3D sensor-shift OIS
| Spec | Ultra Wide | Main (Fusion) | 5× Telephoto |
|---|---|---|---|
| Resolution | 48MP | 48MP | 12MP |
| Focal Length | 13mm | 24mm | 120mm |
| Aperture | ƒ/2.2 | ƒ/1.78 | ƒ/2.8 |
| Sensor Size | 1/2.55" | 1/1.28" | 1/3.06" |
| Pixel Size | 0.68μm | 1.22μm (2.44μm binned) | 1.12μm |
| OIS | No | Sensor-shift (2nd gen) | 3D Sensor-shift |
| Autofocus | Yes (phase-detect) | Yes (100% phase-detect) | Yes (phase-detect) |
| Macro | Yes (2cm min) | No | No |
Recommended settings for the six most common shooting scenarios on iPhone 16 Pro Max
Resolution, frame rate, and codec combinations available on the 16 Pro Max
4K
24fps
Cinematic look
4K
30fps
Best all-round
4K
60fps
Smooth / slow-mo
4K
120fps
Slow motion — NEW
1080p
30fps
Smaller files
1080p
240fps
Extreme slow-mo
| Use Case | Resolution | FPS | Codec | Format |
|---|---|---|---|---|
| Social Media Best | 4K | 30 | HEVC | Dolby Vision HDR |
| Film / Cinematic | 4K | 24 | ProRes | Apple Log |
| Documentary | 4K | 30 | ProRes | ProRes HQ |
| Slow Motion B-Roll | 4K | 120 | HEVC or ProRes | Dolby Vision |
| Cinematic Mode | 4K | 30 | HEVC | Dolby Vision HDR |
| Spatial Video | 1080p | 30 | MV-HEVC | Spatial (Apple Vision Pro) |
What sets the iPhone 16 Pro Max apart from other phones and previous iPhones
A new capacitive button on the right side of the phone. Single press launches the camera. Light press and swipe to adjust zoom, exposure, depth of field, and more — all without touching the screen.
New in 16 ProRecord stunning slow-motion at 4K resolution with 120 frames per second in HEVC or ProRes. Previously limited to 4K 60fps on the 15 Pro Max. Perfect for cinematic B-roll and action sequences.
New in 16 ProThe ultra-wide camera jumped from 12MP to 48MP and gained autofocus. This enables sharper macro shots at 2cm, better low-light ultra-wide photos, and improved spatial video capture.
New in 16 ProShoot with Apple Log for up to 17 stops of dynamic range, preserving maximum highlight and shadow detail for professional color grading in DaVinci Resolve or Final Cut Pro.
ProKey settings to configure in Settings → Camera on your iPhone 16 Pro Max
Formats
Composition
Main Camera
Camera Control
How much you can fit on your iPhone 16 Pro Max (256GB / 512GB / 1TB)
256 GB
1080p only (internal)
512 GB
~6 GB/min at 4K30 ProRes
1 TB
Best for pro video
External SSD
USB-C (10 Gbps)
| File Type | Format | Approximate Size |
|---|---|---|
| Photo (HEIF) | 24MP default | 1.5 – 3 MB |
| Photo (ProRAW Max) | 48MP DNG | ~75 MB |
| Photo (ProRAW) | 12MP DNG | ~25 MB |
| Video (HEVC 4K30) | Dolby Vision | ~350 MB/min |
| Video (ProRes 4K30) | ProRes 422 HQ | ~6 GB/min |
| Video (ProRes 4K120) | ProRes 422 | ~17 GB/min |
| Spatial Video | MV-HEVC 1080p30 | ~130 MB/min |
iPhone 16 Pro Max-specific tips the manual won't tell you
What changed for cameras between generations
Common questions about the iPhone 16 Pro Max camera
Yes. The iPhone 16 Pro Max records ProRes at up to 4K 120fps. You can record ProRes internally or to an external SSD via USB-C (USB 3, 10 Gbps). On the 256GB model, internal ProRes recording is limited to 1080p — use an external SSD for 4K ProRes on that model.
Camera Control is a new capacitive button on the right side of the iPhone 16 Pro Max. A single press launches the camera instantly. Once in the camera app, a light press opens a quick control bar where you can swipe to adjust exposure, zoom, depth of field, and other settings without touching the screen. Double light-press cycles between different adjustment modes.
Yes — this is one of the headline new features. The iPhone 16 Pro Max can record 4K at 120fps in Dolby Vision (HEVC) or ProRes. This is double the maximum frame rate of the iPhone 15 Pro Max at 4K resolution. It's ideal for dramatic slow-motion footage that can be played back at 24fps or 30fps for a 4–5× slowdown effect.
Apple Log is a flat color profile (log gamma curve) designed for professional color grading. It preserves maximum dynamic range (up to 17 stops) by capturing a very flat, desaturated image that contains more highlight and shadow detail than standard Dolby Vision. You need to color grade Apple Log footage in software like DaVinci Resolve, Final Cut Pro, or Premiere Pro. Apple Log requires shooting in ProRes format.
The iPhone 16 Pro Max has three rear cameras: a 48MP main (Fusion) camera, a 48MP ultra wide camera (upgraded from 12MP on the 15 Pro Max), and a 12MP 5× telephoto camera. By default, photos are output at 24MP using pixel binning for better low-light performance and smaller file sizes. You can switch to full 48MP in ProRAW Max mode.